I said goodbye to my pet that has been with me for 15 years. The weight of the empty space, which you can’t understand until you experience it yourself, and the story of life that must continue.

Where do we go when everyone wants their country back? A film about collective guilt and what remains between two people when an entire nation looks away.

話題劇集《今際之國的闖關者》製作公司ROBOT COMMUNICATIONS INC.與導演真壁幸紀帶來《Sense of Loss》

Adrian is a classic outsider. His playful, dreamy imagination distracts him from everyday life, for the reality he lives in could not be more different. Neither his chronically depressed uncle nor his overworked grandmother understand the ten-year-old’s games. His mother abandoned him when he was very young and he is bullied at school. Just as news arrives that three children are missing, a new family moves in next door. Adrian develops a close relationship to their tomboyish, ten-year-old daughter Nicole and believes he is getting close to solving the mys- tery of the missing children. New Zealand forms the backdrop for this universal story for adults and those who have never wanted to grow up. It is a story about friendship and loneliness, emotions which Adrian already feels so poignantly as a child. The Danish first-time director’s expressive visual language dramatically merges water and air, reality and a hint of fantasy.

Erik Eriksen, who has become a successful pianist in New York, is back in Templeton, his Mormon community, where he is still treated distrustfully by its members, including his family, for having 'betrayed' them in not living the life God had planned for him. Only his mother and his younger brother Jens, support him unconditionally. Erik falls in love with Chelnica, a beautiful young woman who plays the piano at the local cinema and a dedicated Mormon. The big trouble is that she is also Jens's fiancée, due to marry him soon...

The Art of Loss is a wholly original interspecies meditation on bereavement. In it film maker and playwright Carmel Winters joins their dog pack in re-imagining the death of their mother and their dog not as the end, but as the beginning of new ways of seeing and being with each other, through death and beyond. The film maker shot the film every day for three years, returning to the same landmarks time and time again as a kind of pilgrimage in pack mind. This footage was contracted to a 27 min swoop through liminal time, in which eternity seems to pass through now as this queer and quirky family ingeniously use the arts of performance, playwriting and film to sniff out meaning – and humour – in loss.

A woman trapped in an abusive relationship awakens one morning to find the objects and living things in her home getting heavier and heavier...and must escape before she is crushed by the weight of her own body.

Who knows Berthold Beitz? Fewer and fewer people. He shaped the history of Germany like no other, be it as the leading industrial manager of Krupp or as the rescuer of numerous Jews during National Socialism.

Creatively unfulfilled and facing financial ruin, Nick Cage must accept a $1 million offer to attend the birthday of a dangerous superfan. Things take a wildly unexpected turn when Cage is recruited by a CIA operative and forced to live up to his own legend, channeling his most iconic and beloved on-screen characters in order to save himself and his loved ones.

In a world gone soft and flabby, the greatest threat to humanity’s survival isn’t global warming, but a wobble in the earth’s rotation caused by the excess weight America has gained in the form of obesity and useless consumer junk. Now, audacious lone crusader Grant Fitzgerald (Scott A. Evans) runs for president of the United States to expose the truth about this menace.