I said goodbye to my pet that has been with me for 15 years. The weight of the empty space, which you can’t understand until you experience it yourself, and the story of life that must continue.

Where do we go when everyone wants their country back? A film about collective guilt and what remains between two people when an entire nation looks away.

話題劇集《今際之國的闖關者》製作公司ROBOT COMMUNICATIONS INC.與導演真壁幸紀帶來《Sense of Loss》

Adrian is a classic outsider. His playful, dreamy imagination distracts him from everyday life, for the reality he lives in could not be more different. Neither his chronically depressed uncle nor his overworked grandmother understand the ten-year-old’s games. His mother abandoned him when he was very young and he is bullied at school. Just as news arrives that three children are missing, a new family moves in next door. Adrian develops a close relationship to their tomboyish, ten-year-old daughter Nicole and believes he is getting close to solving the mys- tery of the missing children. New Zealand forms the backdrop for this universal story for adults and those who have never wanted to grow up. It is a story about friendship and loneliness, emotions which Adrian already feels so poignantly as a child. The Danish first-time director’s expressive visual language dramatically merges water and air, reality and a hint of fantasy.

Erik Eriksen, who has become a successful pianist in New York, is back in Templeton, his Mormon community, where he is still treated distrustfully by its members, including his family, for having 'betrayed' them in not living the life God had planned for him. Only his mother and his younger brother Jens, support him unconditionally. Erik falls in love with Chelnica, a beautiful young woman who plays the piano at the local cinema and a dedicated Mormon. The big trouble is that she is also Jens's fiancée, due to marry him soon...

A woman trapped in an abusive relationship awakens one morning to find the objects and living things in her home getting heavier and heavier...and must escape before she is crushed by the weight of her own body.

Who knows Berthold Beitz? Fewer and fewer people. He shaped the history of Germany like no other, be it as the leading industrial manager of Krupp or as the rescuer of numerous Jews during National Socialism.

Creatively unfulfilled and facing financial ruin, Nick Cage must accept a $1 million offer to attend the birthday of a dangerous superfan. Things take a wildly unexpected turn when Cage is recruited by a CIA operative and forced to live up to his own legend, channeling his most iconic and beloved on-screen characters in order to save himself and his loved ones.

In a world gone soft and flabby, the greatest threat to humanity’s survival isn’t global warming, but a wobble in the earth’s rotation caused by the excess weight America has gained in the form of obesity and useless consumer junk. Now, audacious lone crusader Grant Fitzgerald (Scott A. Evans) runs for president of the United States to expose the truth about this menace.

Jung is a mortician at the morgue, who has to rely heavily on medicine for his severe tuberculosis and arthritis. Despite his illness, cleaning and dressing the dead is a noble and even beautiful work. His life over there is both a reality and a fantasy while the corpses are his models and friends for his paintings, his sole living pleasure. Why this morbid hobby? Jung was adopted by a horrible woman who used him as a slave for her dress shop. The natural son of the woman is younger than Jung and has a strange desire. He wants to transform his male body into a female one. Despite the love and hate relationship Jung has with his brother and burdened with the weight of life and the difficulties he has to deal with at his job, Jung endures the pain and prepares a last gift for his brother...